Art Portfolios, from 2001 to the present, convey themes of light, energy, atmosphere, nature, geography, and history. Each portfolio ponders the connection between individual, atmosphere and culture. Click portfolio for information.
[2019-Present] consists of large mixed media bicycle prints. Layers of cyanotype, tea toned cyanotype and paint created layered backgrounds that evokes temperature, sound and solar energy. Selections from this body of work was invited for a solo exhibition with LHUCA in Lubbock and received coverage in Glasstire.
tea toned cyanotype on paper, 55x72
tea toned cyanotype an latex paint on paper, 55x72
Charles Adams Gallery, Lubbock, TX
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
cyanotype on paper, 55x72
tea toned cyanotype on paper, 55x72
[2018-Present] Notes from the Desert Aquarium is the titled of a series of tea toned cyanotypes. These are created by sunlight exposure and submersion in a bath of tea to create a brown patina. Tumbleweed and grassland specimens evoke the semi arid Llano Estacado environment.
Tea toned cyanotype on paper, 55x782 inches, 2024
Tea toned cyanotype and acrylic on paper, 55x72 inches, 2024
Tea toned cyanotype on paper, 55x72 inches, 2023
Tea toned cyanotype on paper, 42x30 inches, 2024
Wright Gallery, Texas A&M, College Station, Texas, two person exhibition
Tea toned cyanotype and ink on paper, 42x30, 2019
Tea toned cyanotype and ink on paper, 42x30, 2019
Tea Toned cyanotype and ink on paper, 42x30 inches, 2023
Tea toned cyanotype and ink on paper, 42x30 inches, 2023
Tea toned cyanotype and ink on paper, 42x30
Tea toned cyanotype and ink on paper, 42x30, 2019
Purchase Workbook Solitude of Selfie 2024
Purchase Workbook Solitude of Selfie 2021
[2018-Present] Solitude of Selfie is a body of drawings that celebrates the 100th year anniversary of the 19th amendment 2020. Elizabeth Cady Stanton’s handwriting is digitized and cyanotyped (blueprinted) into the background of compositions about Stanton’s address Solitude of Self arguing for suffrage. History is illuminated and reworked into contemporary compositions. A workshop component of the project asks participants to take a “tour” around Elizabeth Cady Stanton’s 19th century feminist address Solitude of Self. They are asked to read, write, count and draw their way around the address. Artwork for this project integrates primary documents for the Woman’s Bible project in 1898.
Solitude of Selfie Workshop, The Poetics, Politics, and Praxis of Transnational Feminisms, National Women’s Studies Association, virtual format, Oct. 15, 2021
Solitude of Selfie CAA ARTexchange, CAA Services to Artists, Committee & Hokin Project, Hokin Gallery, Columbia College, Chicago, IL, Feb. 14-24, 2020
Solitude of Selfie, Women’s Rights National Historical Park, Seneca Falls, NY, Sept. 1-Nov. 15, 2018
Solitude of Selfie, South Texas College, McAllen, TX, Ap. 26-May 30, 2018
The game’s afoot! Carol Flueckiger, Women Studio Workshop by Susan Chute, 2018
Solar Painting mixed media body of work inspired by 19th century women’s suffrage essay by Nancy Moyer, Special to the Monitor, Vida Art, The Monitor, Monday, May 7, 2018
pen, letterpress, digital
pen and digital
pen, letterpress, digital
Drawing/Digital, 2023
Digiital/Drawing, 2023
cyanotype and pen on paper, 17x12
cyanotype and pen on paper, 17x12
cyanotype and pen on paper, 17x12
Welcome to Relic Prairie! This portfolio consists of cyanotype artworks that celebrate the Llano Estacado’s semi-arid landscape. Prairie grasses and playa wetland plants of the high plains are placed on light sensitive paper or painted wood and exposed to sunlight. This magical process reveals a photogram print. Plant shapes intersect with strategic brushing and dripping application of the cyanotype solution to indicate the constant movement of weather. Indigo blue and sky blue are base layers. To achieve earth tone, cyanotypes are submerged in a bath of hot tea.
Presenting a portfolio of artworks prepared in consultation with the UMC facility design team for an interior design project. The artworks are created by building on my cyanotype prints of regional native plants. Cyanotype prints are digitally color enhanced and strategically cropped to achieve a series of contemporary artworks reflecting the swagger and softness of west Texas.
[2011-2012] Pavement to Prairie and Sustainable Cabin are two art/architecture projects. Pavement to Prairie blueprints native grasses into the interior doors of Charles Adams residence. Big bluestem is gathered from Adam’s ranchland in Garza county and printed into his urban home in downtown Lubbock. This project seeks to honor the pre cotton landscape of west Texas. Sustainable Cabin, is a small house project by Upe Flueckiger inspired by Henry David Thoreau and Le Corbusier. I was invited to blue print the signatures of these two historic figures into the interior wall cladding.
Back to the Cabin more inspiration for the classic American getaway, Dale Mulfiner, photographs by Cheryl Koralik, Taunton Press, CT, 2013
Small Houses in Nature, 2012, Artwork permanently installed into walls of Sustainable Cabin Texas Architect, Sustainable Cabin, November/December 2012, p. 61
Pavement to Prairie, Cityscape/Greenscape showcases avenue j eco-friendly redesign Lubbock Art Festival, Civic Center, Lubbock, TX, April 8-10, 2011
Cyanotype & paint on wood, 4x4, 2012
Cyanotype & paint on wood, 4x4, 2012
Cyanotype & paint on wood, 10x10 & 4x4, 2012
cyanotype grasslands on pocket doors for Charles Adams residence, 2011
Artwork installed in Upe Flueckiger’s Design Build Sustainable Cabin Project, blueprint on painted wood, inserted into wall cladding, 2010
Artwork installed in Upe Flueckiger’s Design Build Sustainable Cabin Project, blueprint on painted wood, inserted into wall cladding, 2011
Artwork installed in Upe Flueckiger’s Design Build Sustainable Cabin Project, blueprint on painted wood, inserted into wall cladding, 2010
Artwork installed in Upe Flueckiger’s Design Build Sustainable Cabin Project, blueprint on painted wood, inserted into wall cladding, 2010
Artwork installed in Upe Flueckiger’s Design Build Sustainable Cabin Project, blueprint on painted wood, inserted into wall cladding, 2010